At this stage in my life, I find myself asking more questions than ever before. When I was younger, I thought I knew everything. Now, I paint to explore rather than to explain.
My paintings revolve around faces — expressions, gazes, and the emotions that unfold in the space between them. Eyes often take centre stage, exaggerating personality and revealing tension, connection, or curiosity. Each face becomes a mirror of the subconscious, shaped by a lifetime of seeing, feeling, and remembering.
I work intuitively, allowing compositions to emerge directly on the canvas. Using layered washes of acrylic, I build shapes and colours that evolve constantly until they settle into a bold statement. Acrylic markers then define what has surfaced, bringing details into focus. I aim for impact — through scale, colour, and contrast — but also for ambiguity, leaving room for viewers to find their own meaning.
Painting in the forest behind my home in Chelsea, I feel deeply connected to nature and to solitude. What once felt uncomfortable now brings calm and reflection. This sense of peace has begun to infuse my work — the emotions are still strong, but they come from a gentler place.
